Sasun

Working With the Unit

Introduction

In our last on-line class we started a series of classes on the unit.

Review

The unit is the part of ourselves that contains the skills and abilities necessary to accomplish the tasks for which that unit is created.  The energetic content of the unit is decided by the skills necessary to perform that particular function and therefore will vary from unit to unit.  Performing brain surgery is a very different unit than running a marathon.  Being a parent is very different than being the CEO of a company.  One of the most commonly asked question in Aikido is, why is it so difficult to transfer the good feeling I get in class to other activities?  One response is that the energies of Aikido are unique to Aikido.  The chemistry is the same but the chemicals (energies of the unit) are different in each situation.

The unit is the clothing we wear to accomplish particular tasks or assume particular roles.  O Sensei called the unit haku-Essence of Aikido (pg.27). 

This process as I of “inhabiting” particular units is often unconscious.  When we walk to our car to drive home, that is a unit.  Some basic units are much more a part of our identity than others.  Your choice of work; your place in a family or other important social groups are examples. 

The overall goal of this series of classes is to help create a more balanced and integrated unit that functions better and  allows a better forging to occur between the I and the unit resulting in better performance and more personal satisfaction. 

Our goal initially, is to experience the basic parts of the unit and their interaction with each other.  It is in this conscious interaction that a real opportunity for a balanced and integrated unit exists.  If the basic parts of the unit are not consciously experienced we may miss important elements of the unit and therefore start from a place of fragmentation rather than wholeness.  Our best experience is not available for the task at hand and if it is not addressed we will experience the downstream negative effects of it, in reduced performance and satisfaction. 

One way fragmentation occurs is when action is taken from only some of the energies of the unit that are the most readily available to our experience.  An example is we get a good idea of taking action and without allowing a more complete experience of the other energies that make up the unit of that idea we run out of energy and can’t complete the task well or at all.  This can happen when the idea or one of the other energies of the unit is put in a position of carrying the whole task of performance.  A fully formed unit is much more likely to produce the outcome we envision. 

O Sensei laid out the parts of a fully integrated unit-Essence of Aikido (pgs. 32-33).  He called them the four souls and the eight powers. 

The four souls
  • The intelligent soul
  • The rough soul
  • The gentle soul
  • The optimistic soul. 
The eight powers
  • Movement and calm
  • Release and solidification
  • Retraction and extension
  • Unification and division.

These are high-level examples of what makes up a fully functioning unit.  We are going to work with his four-count model and apply it specifically to the units we experience.    

The version of the counts of the unit we will work within this series of classes is: 

Four Count Model

  • Obvious Counts

    • the idea
    • the structure;
  • Not so Obvious

    • the intuitive element and
    • the unifying principle. 

The first two energies we refer to as the obvious ones.  They come up easily and often.  What is my goal and how will I achieve it?  The second two we call the not so obvious because they often have to be focused on specifically in order to be consciously experienced. 

One example of the four counts is the task of building a house. 

  • Energy 1-the idea
    is like the architect who does the design and provides the blueprint. 
  • Energy 2- the contractor
    who actually builds the house using the blueprint from the architect as a guide and a starting point. 
  • Energy 3- the interior designer
    who crafts the living space so the house is not only livable but a pleasure to live in. 
  • Energy 4- the overall manager
    who brings the other three together into a fully working unit.

One very important principle throughout this series is that every unit has value!

We will use a kata like version of a basic Aikido technique as our physical reference.   

Before we begin to work with the unit, let’s bow in and start with misogi breathing and a good full warm-up.

A tip on the misogi breathing is to visualize as your breath goes out that you experience a state internal emptiness, which creates a readiness to be filled.  Use the pause after the exhalation to experience this openness to being filled by universal energies of health and wellbeing.  Then rather than a forceful inhalation relax and feel the life giving energies coming in with a relaxed inhalation.  The pause after the inhalation is a time to feel your entire system; body, mind and spirit absorbing the energies of health and wellbeing.  As you repeat the cycle of breathing it is like filling a reservoir with energetic sustenance.

Fullness of the Unit

We will use the basic Aikido technique ten-chi nage or heaven and earth throw as our practice technique.  Please refer to the video of the technique for a clear visual of the movement.

  • Let’s begin with two rounds of ten-chi nage. As we do it try and remember your experience so we can refer back to it as our practice progresses.
  • Feedback on the first round of practice.

Now we will work on each count of the energies of this unit- ten-chi nage-in turn to directly experience what each adds to create the fullness of the unit.

At each point there is a sense in which you become a different person, there is a shift in identity as we quoted Nadeau Sensei in the previous classes.

  1. As we do the ten-chi nage practice, ask the question what is your idea of the technique? This is a way to get in touch with count 1 of this unit.  A moment or two of full presence will usually bring in a sense of what count 1 or the idea energy of this unit is. 
    • Get feedback-how did the focus on count 1, the idea of the technique change your experience?  
  1. Let’s move on to the second count of this unit which is the structure. As we do the ten-chi nage practice, ask the question what is your experience of the structure of the technique?  This is a way to get in touch with count 2 of this unit.  A moment or two of full presence will usually bring in a sense of what count 2 or the structure energy of this unit is. 
    • Get feedback-how did the focus on count 2, the structure of the technique change your experience?
  1. Now working on the third count of this unit which is the intuitive. As we do the ten-chi nage practice, ask the question what is your experience of the intuitive energy of the technique?  This is a way to get in touch with count 3 of this unit.  A moment or two of full presence will usually bring in a sense of what count 3 or the intuitive energy of this unit is.  What is the beauty, the poetry of this technique?  Often the first of the not so obvious counts will feel bigger spatially than the first two counts.
    • Get feedback-how did the focus on count 3, the intuitive energy of the technique change your experience?
  1. Let’s move on to the fourth count of this unit which is the unifying energy. As we do the ten-chi nage practice, ask the question what is your experience of the unifying energy of the technique?  This is a way to get in touch with count 4 of this unit.  A moment or two of full presence will usually bring in a sense of what count 4 or the unifying energy of this unit is. 
    • Get feedback-how did the focus on count 4, the unifying energy of the technique change your experience?
  1. There are milestones of fullness in units moving to a deeper level of consciousness with which we can then identify as our center of gravity, just as we experienced with the I. Nadeau Sensei uses the analogy of starting out as tourist in a new place; then becoming a resident and then a citizen.  Using the larger context from Saotome Sensei’s perspective on the connection between the personal and universal-A Light on Transmission Mitsugi Saotome (pg. 23), let’s go through one more round of ten-chi nage practice as our reference, and begin to experience the movement from this more universal perspective.  Let’s do a round of the circle center practice and allow a moment for the energies of the unit to adjust.  This adjustment will often create a disruption through which we must relax and open to the larger version of the energies of the unit.
    • Repeat ten-chi nage and get feedback-how did working with the technique from a more universal perspective change your experience?

Conclusion

In this class we worked with the energies of the unit.   This included identifying and experiencing, at a working level, the four basic energies that make up the unit and what they each contribute to a fuller experience and improved performance.  We then started a process of shifting dimensions from the personal to the universal and worked with the energies of the unit at that level.

Practice before next class

Pick a unit that you have had difficulty with in the past and work with the four counts of that unit repeating three times and note any insights or changes you experience.

Journey to the Heart of Aikido Linda Holiday (pg. 188).   

Experiencing the Manifest (Physical) Dimension of Consciousness

I appreciate everyone participating in this new format and welcome to everyone coming for the first time.  We are working to keep our regular class schedule going so it will be easier to return to our training together.

Please share any comments, suggestions or questions from Tuesday’s class.

This difficult time, while we wish it was not going on, is an opportunity to deepen our practice by appreciating what is really important to us and what we can let go of-Joseph Campbell passage (Hero With a Thousand Faces pg. 25).

We started in our last class with a focus on experiencing dimensions of consciousness using the rowing exercise, fune-kogi undo and the kuji kiri.

Today we will continue this emphasis on states of consciousness working with the three basic states as O Sensei spoke of them:  manifest; hidden and divine-(pg. 22 The Secret Teachings of Aikido).

Everyone experiences these three states on a daily basis.  The manifest is the physical dimension experienced during our waking state as we go through our daily activities.  The hidden dimension is the realm of subtle energies which are familiar to Aikido students as ki.  Everyone experiences the hidden dimension in the dream state.  The dream state is not the hidden dimension but it is one way we commonly experience it.  The divine dimension is more difficult to describe but is a place of pure emptiness in which creation is present in its potential form.  Everyone experiences this when in a state of deep dreamless sleep.  But it can be experienced consciously, with practice.  

This “map” of consciousness is not unique to O Sensei or Japan.  It goes back at least as far as India (Shankara’s Crest-Jewel of Discrimination pgs. 45-49). We also find it in similar forms in Tibet (The Three Levels of Spiritual Perception by Deshung Rinpoche pg. 9) and China (Cheng Tzu’s Thirteen Treatises on T’ai Chi Ch’uan pgs. 75-81) and many other traditions East and West.  In his bestselling book, Proof of Heaven, Eben Alexander also describes a similar structure.

The Aikido of Petaluma website has more information on this in recent blog posts and some videos.

Today we will focus on the manifest dimension and in later classes move on to the hidden and divine. When we consider the manifest or physical dimension our most immediate experience of the manifest is with the physical body.

In this class we will use another Aikido exercise, ikkyo undo, as our reference point as we did on Tuesday with the rowing exercise.

First, let’s start with a little bit of stretching and then misogi breathing.

Let’s begin with a round of ikkyo undo six times on each side.  As we do it try and remember your experience so we can refer back to it as our practice progresses.

  • Feedback on the first round of practice.

Now we will go through a progressively more inclusive focus on the body as a way of experiencing fuller levels of the manifest dimension by using our body and our experience of ikkyo as a reference.  At each point there is a sense in which you become a different person, there is a shift in identity-Nadeau Sensei quote (Aikido in America pg.s 70 and 71).

  1. Feel your hands and fingers.  When you do what do you notice, to where is your attention drawn?
  • Repeat ikkyo undo and get feedback-how did the hand focus change your experience?

 

  1. Next feel your entire arm including your hands, arms and shoulders. Where is your attention drawn?
  • Repeat ikkyo undo and get feedback-how did the whole arm focus change your experience?

 

  1. From the arms let’s shift your attention to include your hips. How does your experience change?
  • Repeat ikkyo undo and get feedback-how did the hip focus change your experience?

 

  1. Now expanding our awareness let’s include legs and feet. Does adding the focus to the entire lower body change your experience?
  • Repeat ikkyo undo and get feedback-how did adding the leg focus change your experience?

 

  1. Moving to the core of the body include the spine from the low back to the base of the head. What does the focus on your core bring in what wasn’t there before?
  • Repeat ikkyo undo and get feedback-how did the spine focus change your experience?

 

  1. Completing the process adding your head and now we have complete body awareness. How does this complete body awareness enhance your experience?
  • Repeat ikkyo undo and get feedback-how did the full body awareness change your experience?

By using a progressive process of including more and more of the physical body we have gone through progressive layers of a functional experience of the manifest dimension.

Feedback on practice.

Finish with misogi breathing.

Class Tuesday March 17th

Thank you for coming and trying out this new format. 

Special thanks to Mark for the idea and follow through to set it up! 

  • O Sensei I do not need a dojo pg. 79 Heart of Aikido
  • O Sensei Aiki is a path of light pg. 38 Heart of Aikido

Today we will work on a similar practice to our work in the Saturday morning Energy Class on levels of consciousness using some basic Aikido exercises and the Kuji Kiri. 

O Sensei on levels of consciousness pg. 85 Heart of Aikido

First some warm-up and stretching exercises and the misogi breathing we have been doing in class.  O Sensei calm the spirit in the tanden pg. 70 Heart of Aikido

Kuji kiri-each of the nine hand positions represents a dimension of consciousness.  Many spiritual traditions work with these levels: for example Yoga; T’ai-chi and Kabbalah.  

We will explore this using the rowing exercise, fune-kogi undo.

Try and remember your initial experience with the exercise so you can use it as a basis of comparison as we go through the kuji kiri.

Kuji kiri

1.   Rin void-O Sensei Aiki created from the great void pg. 45 Heart of Aikido

  •        Rowing exercise and feedback

2.   Pyo yin/yang-fire/water

  • Rowing exercise and feedback

3.   To Activation photo of O Sensei in this position pg. 99 of The Invincible Warrior

  • Rowing exercise and feedback

4.   Sha meditation repose

  • Rowing exercise and feedback

5.   Jin male/female

  • Rowing exercise and feedback

6.   Kai harmony

  • Rowing exercise and feedback

7.   Retsu giving and receiving

  • Rowing exercise and feedback

8.   Zai unity of mind body and voice

  • Rowing exercise and feedback

9.   Zen fusion oneness

  • Rowing exercise and feedback

Repeat entire sequence and rowing exercise and feedback.

 

Misogi breathing practice

O Sensei Aiki is a path of light pg. 38 Heart of Aikido

Mastery Beyond Doubt

Mastery in the martial arts is an elusive designation for which there are many definitions. 

One definition I like is that a master is someone who has internalized the training to such an extent that it is in their body right down to the cells.

Recently, I ran across a description of such a master in a book I wanted to share.

The book is Bushido and the Art of Living:  An Inquiry into Samurai Values by Alex Bennett.  He has a remarkable background including 2 PhDs and high ranks in several Japanese Martial Arts.  This particular passage was about his experience with a Kendo Master in Japan.

“I remember training with a grandmaster of kendo a few years ago.  It was the height of summer in Japan, mercilessly hot and humid.  He took on each challenger one after another.  When each of them conceded defeat, they would “let go” in one closing death frenzy of relentless attacking.  The grandmaster allowed the barrage of strikes to connect as he corrected their form along the way.  Each bout would last an average of five minutes.  We challengers would end up exhausted and panting uncontrollably after two or three minutes.  But his breathing was even from start to finish.  We were excited and our hearts were suffused by the four illnesses of surprise, fear, doubt and hesitation.  There was no way we could win against this old master.  Even young kendoka at their absolute physical prime were ground into the floorboards like wet mops at cleaning time.

Being at the very bottom of the dojo totem pole, I had the job of packing up the master’s equipment at the end of the training.  When I picked up his kote (protective gauntlets) to stretch out the leather palms for drying, I found them to be dry as a bone.  For ninety minutes straight, in midsummer, this man had dealt with a constant succession of rabid challengers attacking him with everything they could muster.  His gear should have been soaked with sweat.  I just could not get my head around it.  I realized that he was going with the flow, completely in the zone and not ruffled in the slightest by our dogged attempts to land a lucky strike.” (pages 134-135)

I had similar, if less dramatic, experience with Hiroshi Kato Sensei on one his visits to teach in Palo Alto a few years ago.

He would teach a class on Saturday and Sunday morning and another one in the afternoons.  In the break between, one of us would give him a massage before the afternoon class began.  I was privileged to provide the massage on several occasions.

I have been doing massage and healing work for over 50 years and have done massages on many hundreds of people in that time.  When working on Kato Sensei I noticed something in his body I have never experienced before or since.  The space in his upper back between the shoulder blades is usually a place with a lot tension and knots. 

Kato Sensei’s body including in this area was as soft and supple as a baby’s with NO sign of tension or tightness whatsoever!  As I said this was an unprecedented experience for me.

If mastery can be defined as internalization down to the cellular level these are two examples of mastery that is that deep.  Good to know it exists even if only rarely. 

No Class Thursday, Nov 17, to attend Sugawara Tetsutaka Sensei Seminar

The seminar is open to all students, if you choose.

Sugawara Tetsutaka Sensei

Location:  Hoshin Kan Martial Arts,   51 Middle Rincon Road, Santa Rosa

Time:  6:00 to 8:00 PM (get there early)
Cost:  $20 (if financial challenge, see Sensei Noha)

Bring Bokken and Jo.  (if you do not have you can borrow at the dojo, just see Sensei Noha)